Brief
You send the song, the references, and any stems or scratch tracks you already have.
Six recent projects across genres — the brief a music creator sent in, the players we put on it, the turnaround, and the record that went out the door. Names are kept private. The work is real, and the players are too.
You send the song, the references, and any stems or scratch tracks you already have.
We pair you with players who live in that genre — not generalists guessing at the style.
Sessions tracked in pro studios, with a session lead keeping the brief on the rails.
Mix-ready stems to your DAW, with rights and session agreements cleared.
Full process detail on How We Work.
"I sent a voice memo and a rough mix. What came back sounded like the band I'd been hearing in my head for two years."
"Our in-house pipeline would have been six weeks. Sessions matched us with a horn arranger who got it on the first pass."
"Clean stems, clean paperwork, on the deadline. That's the whole job."
"The Rhodes player nailed the voicings on take two. Saved the record and saved the clearance bill."
"We tour 200 dates a year. Sessions is how we still ship records."
"We got a real record, not a stock cue. The cutdowns landed because the master had a song underneath it."
One person owns the brief end-to-end. You're not posting a job and waiting for bids.
We match by feel and reference, not just instrument. The drummer for a neo-soul cut isn't the drummer for a worship cut.
You receive mix-ready stems with session agreements in place. No chasing players for paperwork later.
Most projects ship in 5–10 days. Rush windows exist when picture or release dates demand it.
Up to two revision rounds are part of the session. We'd rather get it right than ship it twice.
Tracking happens in rooms built for the source — not bedrooms with a USB mic.
Post a gig with the song, the references, and the feel. We'll line up the players and come back with a session quote.